It’s a balancing act because if you’re painting brushed volumes in a scene and the character starts to move, the brush volumes themselves get your attention as opposed to the thing you’re suppose to be looking at, or they give you the impression that they’re something else other than a volume. “As you start to move cameras around and we started to get through shots, it became clear we can’t have everything running vertically. “A lot of the look early on was inspired by the Jason Latour art, and everything was running vertically in that world,” St. Watercolor was the media of choice for Spider-Gwen’s world. When it comes to positioning brushes in 3D, we needed to be able to reconstruct where those positions are, even when they don’t lie specifically on the surface that you’re applying the brush to, and the rendering tools, especially in 2D, don’t give you that information for free.” Then we try to have all of our tools handle the rest in compositing. The problem for us is we try to approach everything rendering in a traditional way.
“We saw a lot of art that depicted paint being thrown around in-frame in ways where strokes aren’t specifically connected to a character or to anything. Clair, Senior Look Development and Lighting TD at Sony Pictures Imageworks.
“On this one, there are so many technical hurdles and different looks that I’ve spent 80% of my time developing tools,” states Bret St. To handle the expanding multimedia aesthetic of the franchise, Sony Pictures Imageworks created a new department called Look of Picture. And let’s not forget that the cast of Spider-People has been multiplied by 10, and Miles finds himself clashing with them on how to handle the portal-empowered villain known as the Spot. Upping the ante is the first of two proposed sequels, Spider-Man: Across the Spider-Verse, by showcasing not only the world inhabited by a slightly older Miles Morales but those serving as the homes of Spider-Gwen, Spider-Man 2099 and Spider-Man: India. Much like The Matrix, which caused a ripple through the film industry because of innovative storytelling, Spider-Man: Into the Spider-Verse had the same impact, with its creative influence going beyond its Oscar win for Best Animated Feature to inspire several imitations.
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